Trailer Roundup

Jul. 23rd, 2017 12:36 pm
jimhines: (Snoopy Writing)
[personal profile] jimhines

It’s movie trailer season!

1. Thor: Ragnarok – I love the banter between Thor and Hulk/Banner. Everything I’ve seen about this movie looks like fun.

2. Star Trek: Discovery – I’m intrigued enough to want to see more, and it will be nice to have some new television-style Star Trek. We don’t have CBS All Access, but I’m sure it will be available on Blu-ray eventually.

3. Ready Player One – I know a lot of people loved this one, but for some reason, the book just didn’t work for me, and the trailer seems to be following suit. The trailer looks pretty, but it doesn’t grab me.

4. Justice League – I don’t know. DC’s cinematic universe has let me down again and again…but then they did Wonder Woman, and I started to hope again. This looks like it could be fun. Or it could be a mess. I’m withholding judgement for the moment.

Which ones, if any, are you looking forward to?

Mirrored from Jim C. Hines.

separate hobbies

Jul. 21st, 2017 06:47 pm
mizkit: (Default)
[personal profile] mizkit

I saw a thing yesterday that said “Buying fabric and sewing fabric are TWO SEPARATE HOBBIES.”

I actually feel that I understand so much more about the world now.

I’m now up to 6 artist’s figurines (I need to write more reviews) and I was unable (or unwilling) to resist a set of 14 archival color pens, plus all the stuff I already own, but do I actually draw? No, hardly ever. (That said, I’ve done more this year than in many years.)

Anyway, point is I’m back to that “I want to draw some silly little story like Questionable Content only about, IDK, fat 40somethings instead of hipster robots” thing. Except I really don’t want to draw a story about fat 40somethings because ugh life. I want to do something cute and funny that I don’t have the skill set for but who cares I’ll do it anyway because it doesn’t matter. Or something. And I want just enough pressure to help me do maybe half an hour of art a day without having any real expectations.

Which of course is not much like my personality at all, because yes, I have met me. :p

Moop.

(x-posted from The Essential Kit)

Cool Stuff Friday

Jul. 21st, 2017 12:22 pm
jimhines: (Snoopy Writing)
[personal profile] jimhines

Friday still hasn’t seen the new Spider-Man movie 🙁

Mirrored from Jim C. Hines.

(no subject)

Jul. 21st, 2017 02:51 am
[personal profile] martianmooncrab
I got up later than expected today, and made the decision to just get outside and start on the Fence Project. Otherwise, I wouldnt. Yesterday I had gotten all the new fence posts painted Purple. I refilled bird feeders, I spray painted flamingos...

Today I got all the tools, shovels, six foot pry bar, yard bin, containers for dirt, a bucket of assorted tools... and the 12 foot post. I started off by removing fence sections and digging up the old rose root. I made a nice pile of rose pieces, and got most of the roots. I fully expect to see roses in the future there. Then I started to digging carefully around the broken fence post. This might be the only post I have to dig up since the new one is going in the same spot, since the other fence sections will be shorter, I will just cut the old posts off at the surface. I did call and ask my sister to come help me, because I could tell this was going to take longer than I had planned. I dug down about four inches before I hit concrete.. not a good sign, and probably why the post rotted. I got a bit deeper, finding the edges of the blob. Chipping away at this was tedious. My neighbor saw what I was trying to do and came over to help me, he got the pry bar under the block and heaved it up. We put the dirt and the block into the wheelbarrow to disposes of, then measured how much deeper we would have to go. More digging ensued, but it wasnt into concrete. We went down two feet and called it good. Put in all the bits and then the post... leveled it, decided on our sweet spot... then poured three bags of quick setting concrete into the hole. Which wasnt enough, so I sent the sister to WILCO to get two more bags. Finished up again double checking if the fence section was going to fit, and then proceeded to gently water in the fresh cement.

I thanked my neighbor, and then the sister and I cleaned up most of the efforts, and I took her to eat.

After I got home, I finished doing my Trash Prep and getting all the bins to the curb.

Friday, errands, I have to get stuff for the Family party on Sunday, new brackets for the fence sections, of course the new fencing sections are just a tad bit bigger than the brackets I have plenty of, Costo run, and if it find the right bag, stuff to send to Miss Annie.

A brief foodie interlude

Jul. 20th, 2017 03:15 pm
lagilman: coffee or die (Default)
[personal profile] lagilman
PNW summer joys: saffron salmon rice salad, made with smoked salmon I picked up from a local farmstand.

This shit's good enough, and pretty enough, to make it onto the list for my next dinner party, but also easy enough to be on the workday rotation....
 

Nom.
truepenny: photo of the keyboard and raised lid of a 1911 Bluethner grand piano; the inside of the lid has inlaid brass letters reading BLUETHNER LEIPZIG (bluethner 1911)
[personal profile] truepenny
So this year, after a gap of twenty-five years, I started taking piano lessons again, focusing--because I'm an adult and get to choose for myself--on ragtime. There's a bunch of stuff around this decision that does not need to be explored at this juncture, because what I want to talk about is one of the biggest fucking paradigm shifts I've ever experienced.

I learned piano very much in the traditional you-learn-pieces-and-perform-them-at-recitals-and-they-get-progressively-harder mode (also traditional is the nice Lutheran lady teaching piano in her living room), and one of the reasons I started again was that I could work with somebody who went to UW-Madison for music--somebody, in other words, who's been exposed to the theoretical underpinnings not just of music, but of teaching.

Dude rocks my fucking world, I tell you what.

Partly, this is because I'm an adult and I've been exposed to the theoretical underpinnings of teaching (I always know when a teacher is using a particular pedagogical technique on me--which interestingly doesn't always make it less effective). I learn differently now and with a different understanding of what "learning" is. This is the place where Csikszentmihalyi has been extremely helpful to me, because I can recognize how a successful learning engagement works. ("Learning experience" would be a better phrase, but it already has connotations that are really kind of the opposite of what I mean.) And the pressure to learn pieces for recitals is mercifully off, which helps, too. But partly it's because this guy approaches music completely differently, bottom up instead of top down.

But the thing that has changed my relationship with my piano is something my teacher said (and I can't for the life of me remember what it was) that made me understand--quite literally for the first time in my life--that fingerings aren't arbitrary and they aren't just put in music so that teachers can judge whether students are obeying them or not. Here's where playing the piano is exactly like rock climbing:

The notes in the score are like the hand, finger, foot, and toe holds used to set a route in a climbing gym. You work the fingerings out yourself, the same way that a climber works out her own solution to how to get to the top of the wall using the holds available. And he said, "This music is for playing." A weirdass chord progression or run is like a difficult sequence in a route; it's a game, a puzzle that a musician who's been dead for 100 years set for all the pianists who came after him to solve. You work out the fingerings (4-5-3-5 WHAT THE ACTUAL FUCK) so that you don't hang yourself out to dry, the same way that a climber works out her holds so that when she has only her right hand free, the next hold isn't three feet to her left. When you make a mistake, you laugh and pick yourself back up and go up the wall again, because it isn't a pass/fail test. It's a game. You have a sense of glee that you share with the route setter about solving this incredibly intricate puzzle almost--in a weird way--together.

What that means is, (1) playing piano, which I have always loved, is now infused with a sense of fun that it truly has never had; (2) I know what I'm learning--not just "music" but the route up the wall, the game that underlies the performance; (3) when I'm fumbling through a new chunk of music, I know why I'm fumbling. It's not because I'm stupid or the music is stupid; it's because my brain is trying to process so much new information that it gets overwhelmed. That's why I miss easy chords and consistently play that damn C-sharp when the piece is written in G. Because THAT'S WHAT THE LEARNING PROCESS LOOKS LIKE.

But honest to god the idea of music as a game being played between composer and performer, and not a game like tennis, but a game like riddling--riddle set and riddle answered--is a seismic paradigm shift for me. Everything looks different now.

Diversicon schedule!

Jul. 20th, 2017 10:02 am
catherineldf: (Default)
[personal profile] catherineldf
 My Diversicon schedule - this also will include the traditional Saturday at 5ish autographing 
Saturday, July 22
 
4:00-4:55 PM, Krushenko's Annex (Northern Pacific)
Panel: You've Got Magic on My Crime Scene!--Police Procedurals in Fantasy
Catherine Lundoff, mod.; Melissa Scott, Phyllis Ann Karr
 
Sunday, July 23
 
3:00-3:55 PM, Main Stage (Soo Line)
Bidding Farewell to the Red Shirts and Side Kicks: LGBTQ Protagonists in Science Fiction and Fantasy
Catherine Lundoff, mod.; Melissa Scott

Happy Working

Jul. 19th, 2017 10:59 pm
laurieopal: opal (Default)
[personal profile] laurieopal
I've been putting the next to final work in carving  two designs. One is beautiful gem quality chrisophrase that I got years ago from Lloyd Eshbach. Its also set with a lovely small emerald that I got on my last trip to New York. The color of the emerald is perfect for the chrisophrase.
 
The other is a stunning stick agate. The material it was cut from comes from Turkey. They are very different designs - conceived to both reflect and contrast with the stones.

And I have other pieces in various state of development.  As I've said before, sometimes I like to take a lot of working time and reflection when I'm designing.

And George, my cat, is being very good about only contemplating my work while staying an appropriate distance away.

(no subject)

Jul. 19th, 2017 12:21 pm
[personal profile] martianmooncrab
I was terribly efficient yesterday, credit union, post office, the Hilltop stores, Wilco was having a one day sale, and we (the sister creature came with) scored a small AC window unit for the sister creature, if it does fit into her window.. we shall see how that works out.

Got New Books, got a couple of Hallmark xmas ornaments (but missed out on the Marvin one..sigh) and then headed towards Btown. Made a few stops before arriving at the Powells site. We had decided on eating before the event at Pastini, and when we walked up, there was MK Hobson, seems that David was having a small meetup before the event, so we joined in for dinner. It was kinda fun to converge.

The event had a nice turnout.

Swung by the Btown Freddys, it seems that they are all undergoing a revamping process (and yes, I think if they put more vampires in and less moving stuff about while upgrading their stores....) and we cant find things in our store here, but, I did find the bins of plastic section, and they did have some of the more portable ones with handles in the lids.

I am going to give tonights signing a miss, yes its Brenda Cooper and Nancy Kress, but I am really tired. I am going to try and paint my new posts though, its just sitting outside and applying paint. No driving or having to think, and no having to look for books, because everything is in such a jumble now.

I'm on the radio!

Jul. 19th, 2017 01:13 pm
catherineldf: (Default)
[personal profile] catherineldf
KFAI's Fresh Fruit (longest running weekly Queer radio show in the country) did a feature on the Pride Month Queer Voices reading at the Central Library. Featured are co-curators Andrea Jenkins and John Medeiros, and two south Minneapolis writers: Anthony Ceballos and myself. Queer Voices is also the longest running Queer reading series in the country, so it's a pretty cool way to celebrate! 

Recent Reads: A WRINKLE IN TIME

Jul. 19th, 2017 03:09 pm
mizkit: (Default)
[personal profile] mizkit

Having cried all over the WRINKLE IN TIME trailer, I thought I’d better re-read the book immediately to get a proper feeling for it again. It’d been at least twenty, possibly thirty, years since I’d read it, and…

…it’s kind of equally weirder and more mundane than I remember it.

I was prepared for, although somewhat exasperated by regardless, the Christian allusions; whenever I last re-read L’Engle, I was adult enough to notice her books are really laced with Christianity, so I knew that was going to be there. The story itself is actually a lot more straight-forward than I remember it being; possibly I’ve conflated the other books with it, or maybe it’s just that the weird bits are SO STRANGE that I thought the story structure had to be a lot more complicated than it really is.

It’s not, from a modern storytelling perspective, especially well told. It takes about four chapters to really get going, and it’s only a 12 chapter book. There’s a lot of telling, but not much in the way of showing in terms of…*why*. Meg is not, to the adult modern reader, particularly sympathetic: she doesn’t fit in at school, she’s angry in general and specifically very defensive about her father’s absence, and is apparently some particular kind of dumb that excludes being spectacularly good at math. That dumbness may be meant to indicate she’s socially inept, but although that certainly appears to be true, it doesn’t seem to be what’s really going on.

But that…dumbness…whatever it is…is crucial through the whole book. Meg doesn’t tesseract as well as the others. Meg is more vulnerable to the Darkness than the others. Meg won’t understand if you explain the thing…but I never understood why. (I’m not sure I understood as a kid, either, but it didn’t matter as much to me then.) And it’s apparently not something that came on simply because Mr Murry disappeared, because even he comments on it, and had done so before his disappearance, so you can’t lay her anger/ineptitude at the feet of her father’s disappearance.

And, just as much as Meg’s lack is not explained, neither are Calvin and Charles Wallace’s aptitude. Calvin communicates well; well, okay, that’s fine, but why does it make it easier for him to tesseract? Charles Wallace is, as far as I can tell, not even actually human, and Calvin, who does not come from the Murry family at all, is apparently More Like Charles than Meg is. But I don’t know what they are, or why they are, or why they’re the special ones and our heroine isn’t (well, that last one is institutionalized sexism, but let’s move past that). I remember *loving* Charles Wallace (and crushing terribly on Calvin), but I find him fairly creepy now, and that’s as the parent of an extremely self-assured little kid who, like Charles Wallace, is quite certain he’s able to Do It His Way without listening to the wisdom, or at least the experience, of his elders.

The one thing that maybe felt the most true to me in the whole book was Meg coming around to being the one who can save Charles Wallace. She wanted someone else–her father, specifically, but ANYBODY ELSE–to have to do the hard work. She was terrified and resentful of having to do it herself (and possibly that’s what the aforementioned “dumbness” is, since everybody keeps saying If you’d only apply yourself, Meg,, but that still doesn’t explain why she doesn’t tesseract as well, etc), and that seems very appropriate to a 13 year old to me. To people a lot older than 13, too, for that matter. But it comes in the 11th hourchapter, and her willingness to go on there is the only time in the book that she moves forward of her own volition. I’m not saying that isn’t fairly realistic, maybe, for a young teen, but in terms of making a dynamic book, it…doesn’t, really.

There are parts of the book that remain wonderful. The Mrs W are still splendid; Camazotz (which I always read, name-wise, as being what happens when Camelot goes terribly wrong) is still EXTREMELY CREEPY, and the thrumming presence of IT remains startlingly effective. Aunt Beast is wonderful. (So basically: the aliens work a lot better for me than the humans do.)

It doesn’t feel like a book that could get published now. It would need more depth; it felt shallow to me. A lot of its weirdness seems to me like it came very specifically out of the 50s and early 60s; I don’t think that book would, or perhaps *could*, be written now. It’s very internal in a lot of ways, and I’m really looking forward to seeing how the film adapts the weirdness and the internalness and Meg’s basic lack of agency into an accessible story. My *feeling* is that they’re going to do a magnificent job of it, that it’s going to be one of those cases like Frankenstein or Jeckell & Hyde where the book’s conceptual foundation proves more powerful in film than it does on the page. I hope so!

But you know what I really wanted to do when I finished reading A WRINKLE IN TIME? I wanted to re-read Diane Duane’s SO YOU WANT TO BE A WIZARD, because I felt like the Young Wizards books use A WRINKLE IN TIME as a conceptual springboard and dove off into something that worked a lot better as a *story*.

So I guess I know what’s up next (or soon, anyway) on the Catie’s Re-Reads list. :)

(x-posted from The Essential Kit)

truepenny: artist's rendering of Sidneyia inexpectans (Default)
[personal profile] truepenny
Dear Senator Johnson:

Thank you for speaking out against Senator McConnell's methodology, which looks suspiciously more like tyranny than democracy. I hope that you will publicly refuse to vote to repeal the ACA with nothing lined up to take its place. McConnell's plan is catastrophic and could only be put forward by someone who neither knows nor cares anything about the healthcare needs of his constituents. I am strongly in favor of bipartisan reform for the ACA, and I hope that you will reach out to your Democratic colleagues to make that happen.

I know I will never persuade you that you are wrong about the effect of the free market, but, because I choose to believe that you are acting in good faith, I have to--in good faith--try again:

The problem with the free market is that it erodes ethics. Free-market capitalism says that ethics are irrelevant--if they're not actually a liability, making you less able to compete. This is why it is crucial that the government regulate corporations. The government doesn't need to worry about corporations making money. They'll take care of that part themselves. The government needs to ensure that they don't run roughshod over employees and consumers in the process. Deregulating everything and trusting to the free market to solve the problem is like opening all the cages and trusting the tigers to solve the food supply problem. Corporations, like tigers, will solve the problem for themselves. We need the government to make sure the problem is solved for everyone.

This is why we need government. This is why government should never be run on the corporate model. It is not a corporation, and if it is to succeed in providing justice for all citizens, it cannot be a corporation. It has to be the balance to the corporations, to keep their untrammeled free market competition from literally poisoning everything they touch. In the past fifty years, America has proved repeatedly that deregulation is not the answer. Deregulation only and always makes things worse, because--hey, wait for it--our country is not a corporation. Treating it like one merely destroys it.

This is why ethics are not something that can be discarded. Because without ethics, you get the Trump administration, and I have to tell you that, no matter how it looks from where you are, from where I am, all I see are tigers.



There's also email to Governor Walker about why isn't he one of the governors speaking out against ACA repeal?
catherineldf: (Default)
[personal profile] catherineldf
 Next "Out of the Past" column up at Queer Sci-Fi. These are expanded from my original SF Signal posts, FYI, and I'm planning on increasing the timeline and talking about specific authors and works and such.

 

I am having a writing anniversary today! I've have just had my 20th story accepted for a Year's Best antho! I'm defining these as edited anthologies from a given year or publication with "Best" in the title.

So far, that's:

Best Lesbian Romance 2009 and 2011

Best of Luna Station Quarterly

Heiresses of Russ 2011

The Mammoth Book of Best New Erotica - Vols. 4, 6 and 9

Ultimate Lesbian Erotica (Alyson Publications) - 1999 and 2001

Best Lesbian Erotica (Cleis Press) - 1999, 2001, 2005, 2006, 2007, 2008, 2010, 2011, 2014, 2015, 2017

 

And possibly something I'm forgetting, but hey, we'll call it even. At any rate, it's a milestone and I'm pretty proud of it. :-)))

 

(no subject)

Jul. 18th, 2017 11:16 am
[personal profile] martianmooncrab
Went well at the Naturopaths, my BP was normal range, and we tweeking the supplements just a bit to provide some liver protection.

Got some of the errands run, got the visor clip reinstalled on the van, where the screw had fallen out, and thus the clippie itself. Went to Williams Sonoma to use the birthday gift certificate up, I got cherry balsamic vinegar for both myself and the sister creature. Killed a bit of time at Portland Nursery, and yes, I committed plant there.

Made it to the signing, I had to park a couple blocks away, right in front of a homeless squat by Ben & Jerry's, which explains why there was a parking spot.

The sister met me for the signing, and it was a pretty good talk. Got my book signed, and I thought I wasnt going to buy anything there, but, when walking by the remainder racks, I found a couple of books I had missed out on ...sigh.

sister creature and I went to eat afterwards and then home to the cranky cat.

Today, New Book Tuesday of course! Some errands, the Post Office and then to David Levine's signing at the Beaverton Powells.
jimhines: (Snoopy Writing)
[personal profile] jimhines

“There is a common poor attempt at a joke … that consists purely in stringing together a series of marginalized identities and calling attention to it … as if the mere existence of someone like that would be so absurd it could only be laughable.”

Invisible 3 CoverAlliah is one of the contributors to Invisible 3, which came out on June 27 and includes 18 essays and poems about representation in science fiction and fantasy. You can order the collection at:

Amazon | B&N | Kobo | iBooks | Smashwords | Google Play

Any profits from the sale of the collection go to Con or Bust, helping fans of color to attend SF/F conventions.

As with Invisible and Invisible 2, the contributors to this third volume have shared work that’s heartfelt, eye-opening, honest, thoughtful, and important…not to mention relevant to so much of what we see happening in the genre today.

#

Our Hyperdimensional Mesh of Identities

Growing up in the 90s and early 00s in the south-east of Brazil, all I saw in mainstream media were the same repetitive, harmful and offensive stereotypes about travestis in telenovelas and badly written comedy TV shows, and the effeminate gay men and macho lesbian women token characters whose non-conforming gender expression was grossly caricatured for cheap laughs.

As an openly queer young girl in school, I learned that I could be queer, but not too much, not too visibly. I’ve heard those laughs, and I internalized through bullying and ridicule that I should change how I presented myself to the world—which I did really fast by becoming the stock image of a non-threatening feminine girl, although I never hid my sexuality. My first awkward attempts at a masculine gender expression didn’t have time to blossom. I shoved it down some unreachable recess of my mind and avoided it for 10 years, which (along with compulsive heterosexuality and a binary cisnormative culture) is why it took me so long to understand my bisexuality and figure out my transmasculine non-binary gender identity.

Once I did, I uncovered a gender euphoria I’ve been cultivating ever since.

It took me years to understand the ways in which I inhabit my queer transmasculine genderfluid neuroatypical body, and my most powerful illumination came unexpectedly through the stories of a queer non-binary neuroatypical green witch: Elphaba Thropp, the Wicked Witch of the West.

Wicked: Cover ArtI first met her in the book series The Wicked Years by Gregory Maguire, where most aspects about her gender and sexuality were ambiguous or obscured between the lines, and later in fan fiction, where the depths of Elphaba’s intersectional identities (canon or not) could be explored to the fullest by writers that shared those same identities.

Despite being an avid reader of speculative fiction since childhood, it was only after these encounters with trans and non-binary characters in fan fiction during the first half of my twenties that I started researching these topics, that I found out where I belonged. I discovered a thriving community of authors from marginalized groups creating astonishing rebellious versions of every world I’ve ever dreamed of and countless others I couldn’t imagine would be paramount to my process of liberation.

I owe it mostly to the fictional characters and their creators that illuminated me—from early readings like Virginia Woolf’s Orlando to the most recent fan fiction stories about a non-binary autistic Elphaba, a genderfluid bisexual Korra (from The Legend of Korra), and an agender transhumanist Root (from Person of Interest). I wish I could’ve met them sooner. Along the way to self-discovery, I had to collect all sorts of missing pieces with jagged edges and weird fractal shapes, and figure out a way to put them together myself. I was lucky to stumble upon the stories that I did and then to be able to find the communities that I needed. That’s why representation is vital. You cannot search for something you don’t even know exists.

There is a common poor attempt at a joke (that I’ve seen in both Anglophone and Brazilian online spaces), often directed at dehumanizing non-binary people and mocking activists working at the multidimensional core of intersections, that consists purely in stringing together a series of marginalized identities and calling attention to it, using the accumulation of these identities as a joke in and of itself, as if the mere existence of someone like that would be so absurd it could only be laughable.

One of the things fantasy author Jim Anotsu and I wanted to acknowledge when we wrote the Manifesto Irradiativo—our call to diversity and representation in Brazilian speculative fiction—is that our lives cannot be reduced to an isolated shelf in a bookstore or a niche market, thus we cannot be constrained to discussing the realities of our identities in those compartmentalized terms. We’re so much more than single-issue stories, than the same old one-dimensional narratives constructed to serve the gaze of the oppressor without making them examine their privileges and dismantle their systems of violence.

Those single-issue stories exist and persist for several reasons concerning the maintenance of racial, economic, and social power, amongst them because there is a fear of “too much” diversity. As if a book about a bipolar asexual bigender Afro-Brazilian person, for example, would scare away or alienate the common reader—who is always presumed to be the neurotypical cis straight white default that can handle only one unit of diversity at a time, served lukewarm, unseasoned. But as Audre Lorde said in a 1982 speech at Harvard University: “There is no such thing as a single-issue struggle because we do not live single-issue lives.”

Stories matter. And we shouldn’t have the full extent of our existences cut, segregated, and dimmed in them. We deserve to live as a hyperdimensional mesh of identities when they want to flatten us, to be loud when they want to silence us, to occupy the spaces that have been negated to us, and to be wonderfully written and represented as such.

***

Alliah/Vic is a bisexual non-binary Brazilian writer and visual artist working in the realms of the weird and pop culture. They’re the author of Metanfetaedro and have various short stories published in themed collections and on the web. They’re currently building too many independent projects, working on their first novel, and haunting your internet cables. Find them tweeting at alliahverso and newslettering in Glitch Lung. Or buy them a coffee at ko-fi!

Mirrored from Jim C. Hines.

(no subject)

Jul. 17th, 2017 11:22 am
[personal profile] martianmooncrab
Because I got up so early (for me) on saturday, it was a bit of a blur. Everyone was doing their own thing before the signing, but I took Godsons Wife to the PSU farmers market to walk around. The sister was with me, so we had a nice walk there, lots of fresh food and food related things. A bit of a drive around to get back to the hotel where we picked up the rest of the luggage and people.

Other than trying to run over a woman who didnt understand how to cross a street, and was so not connected to reality that when she stepped in front of me and I honked my horn, she didnt respond at all.

The signing had a nice turn out, saw lots of folks I knew.. met some new ones.. after we went to the convayor belt sushi nearby, and then to the airport in plenty of time for them to catch their flight without having to rush.

Came home and watered the neighbors yard and my own.

Sunday, woke with a massive headache and raw throat, this was allergy related, not plague. by the time I was feeling somewhat human, I remembered I needed to pay my Lowe's bill. Since I was going there, I also decided to get the bits for the fence replacement. Measured the pieces that I had, measured the actual length of the fence, attempted to do math, and then had to refigure yet again how many posts I needed, and how much more fence I needed. So, I got nine posts total, and two more sections of uncut fencing. And quick setting cement.. and a couple of plants..

I knew that the back of the van was only good for 6 ft of length, so I took rope (small gauge) and an assortment of bungee cords. Strategic loading, tying off and of course, the use of the dry cement as a top weight, and away I went. Made it home without incident. Then I took my time unloading and stacking in the driveway, plus I got a bin with lid to put the cement in, because I didnt want it to get wet. Not going to start the project til later in the week, I have to get the paint out and paint the posts purple first, I am not going to get up on a ladder to do that. Work smarter, not harder. And I will see if this plan actually works or not.

Today, phone calls, see my Naturopath, then a booksigning at the Hawthorne Powells.
mizkit: (Default)
[personal profile] mizkit

Carrie Fisher. Robin Wright. Gal Gadot. Daisy Ridley. Melissa McCarthy & Leslie Jones & Kate McKinnon & Kristen Wigg.

Jodie Whittaker.

It shouldn’t matter. It shouldn’t matter, but it goddamn well does.

You know why I chose the women I did, up above? You know why I didn’t include Weaver & Hamilton & Theron on that list?

Because Ripley and Connor and Furiosa were given to us. They were put on the table by filmmakers who said either “it doesn’t matter if this character’s a woman or a man,” or who specifically chose a woman as the vehicle for the main story. Alien & Terminator were always ours. We didn’t have to ask, much less plead and beg, for Ellen Ripley and Sarah Connor. We weren’t looking for Furiosa, and Theron came out of nowhere the same way Weaver & Hamilton did.

But Carrie Fisher? Robin Wright? Yeah, Princess Leia & the Princess Bride were integral to their stories, but Buttercup was a pretty passive observer in her own story and Leia wasn’t there FOR GIRLS. She was there as the token female. The fact that she had an important role & agency is almost beside the point. I read something recently–maybe in Empire Magazine–where someone said something like “If you think about it, Star Wars is really Leia’s story,” and all I could think was WOULDN’T IT HAVE BEEN AMAZING IF IT HAD BEEN FILMED THAT WAY?

So General Antiope? General Organa? I feel like we *fought* for them. Diana? Rey? I feel like they’re from us saying “we want this so much, we deserve this, we hold up half the fucking sky, people.” An all-women Ghostbusters team? We kept saying “oh god please we want this this would be so awesome.” And so now, a female Doctor? It feels like another one we fought for.

And it shouldn’t have to. We shouldn’t have to be pleading for 1/13th of the pie (or less). We shouldn’t have to be THIS HAPPY to get it. And yet I am.

And I’m also SO ANGRY that it takes so little, such a crumb, to make me THIS HAPPY, when it shouldn’t even be a conversation.

And none of that even STARTS to touch on how 8 of the 9 (or 11/12, depending on how you wanna count it) women I’ve talked about are white ladies.

I don’t want white women to be the only ones gaining ground here. I don’t want increments. We don’t NEED increments. The actors are there. Storm Reid proves it. Zendaya proves it. Hannah John-Kamen & Frankie Adams prove it. And I want to see women of color in all these big amazing roles and films too. I don’t want this to just be a moment for white girls and indistinguishable blondes.

I want more, god damn it. I want it all, for all of us. #GirlPower

(x-posted from The Essential Kit)

Status Update: Red Waters Rising

Jul. 17th, 2017 07:23 am
lagilman: coffee or die (Castiel)
[personal profile] lagilman
 Agent and editor notes are in, my own final markup is complete, and I have a mostly-clear deck for the next two weeks.

I'll be making a supply run this morning, and then settling in for the (hopefully) final pass of fixing-the-broken-things-hopefully-without-breaking-anything-new we laughingly call The Revisions Run.

A lot of stuff to be done, to get this book to where I need it to be. Agent and editor seem to think I've got this well in hand. I hope they're right.

But it has to be done by early August. Because GISHWHES is coming...

New interview!

Jul. 16th, 2017 08:47 am
catherineldf: (Default)
[personal profile] catherineldf
 Author Christopher Rose interviewed me about Queen of Swords Press, where we've been and what's next on Curiousful.

still toxic

Jul. 16th, 2017 01:23 pm
mizkit: (Default)
[personal profile] mizkit

I’m somewhat better than I’ve been, but I’ve still got a cough and snotty nose. No, I haven’t gone to a doctor, but only because it turns out there’s a shortage of doctors in this town and nobody is taking new patients. We got signed up with a clinic in theory but we still haven’t gotten notification that we’re actually in their system, so…yeah. Anyway. At this point I think I’m going to have healed up before I’m in the system. Whee.

That said, all I want to do today is lie in a lump on the couch and watch Brooklyn Nine Nine all afternoon, but I’d have a 7 year old beside me saying, “What? What?” and fake-laughing at things, which wouldn’t really be much fun.

The Wrinkle in Time trailer dropped yesterday and made me cry. Twice. It looks amazing. (“Mommy,” Indy said incredulously, “are you *crying*?” Yes. Yes I was.) Anyway, I haven’t read the book in at least twenty, possibly thirty, years, and I immediately bought a new copy to read it. I didn’t think it would hold up, honestly, but I’ve read the first chapter and so far it’s still amazing.

I also re-read THE HERO AND THE CROWN a couple days ago and for the first time the acid trip battle with Agsded actually made sense to me. I’ve only read the book about forty times, so it’s nice that I eventually became able to really follow that scene.

Also I don’t remember crying through Talat’s rehabilitation before. *wipes eyes*

I made crabapple jelly with the last of LAST year’s crabapples, some cherry jam, pitted more cherries that Dad brought out, and bought some peaches that I need to process today and see if I’ve got enough for jam. I have frozen strawberries, too, and some many-berry mix frozen berries. Jam, glorious jam. :)

There are TWO kittens in the garden. We’re calling them Topsy and Turvy and are feeding them and their mama. I’m waiting for the local rescue people to have a capture cage available, so hopefully that’ll come through soon.

I turned a grant application in last week. I’ve got a book proposal just about ready to submit. I have copy edits to do and need to email my editor about line edits. And…I’d have to look at my to-do list to see what’s next. That’s plenty to get me through the week, though. :)

(x-posted from The Essential Kit)

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Jean Marie Ward

May 2017

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